Events

Nov
26
Thu
“Quitting Time Walks” and Xala Presentation @ Oberbipp Church
Nov 26 @ 07:00

Xala_III3On Thursday, November 26th 2015 at 7:00 p.m. during the “Quitting Time Walks” held in the Oberbipp church, Ania Losinger will present her Xala, an instrument that is one of a kind in the entire world. She will explain the peculiar origins of this instrument, naturally without omitting to produce real-life audio samples.

You are welcome to join her!

Dec
20
Sun
Scope – Tübingen DE @ Club Voltaire
Dec 20 @ 13:46
Jan
21
Thu
NEN – Bern CH @ Vidmarhallen - Vidmar 1
Jan 21 @ 20:00

NEN-webPrèmiere: NEN at the Be Jazz Winterfestival

  • Ania Losinger – Xala III
  • Mats Eser – Fender Rhodes / Mallets
  • Björn Meyer – E-Bass
  • Chrigel Bosshard – Drums
Jan
28
Thu
NEN – Zürich CH @ Klubsaal
Jan 28 @ 20:00

NEN-web

Prèmiere: NEN at the Be Jazz Winterfestival

  • Ania Losinger – Xala III
  • Mats Eser – Fender Rhodes / Mallets
  • Björn Meyer – E-Bass
  • Chrigel Bosshard – Drums
Mar
13
Sun
Shanghai Pattern Suite – Ascona CH @ Teatro San Materno
Mar 13 @ 17:00

SHP-Suite Collage“Shanghai Pattern Suite” , Dance and music performance in collaboration with Cie Tiziana Arnaboldi

Apr
15
Fri
experiment?elles – Ania Losinger & Philipp Läng – Biel CH @ Voirie-Kulturwerkstatt
Apr 15 @ 21:00

Voirie2-event

merkstatt in der Voirie – experiment?elles
Ania Losinger (Xala III) & Philipp Läng (cassettes, koppler and other sounds)

Apr
28
Thu
Scope – Aarau CH @ Naturama Aargau
Apr 28 @ 18:30

DSC03574Thursday, April 28th, 2016, 6:30 p.m., Naturama Aargau

SCOPE, opening event for the Special Exhibition:
“Wild auf WALD”

You are warmly invited to attend!

May
20
Fri
The Five Elements (closed to the public) @ Berner Fachhochschule für Architektur Holz und Bau
May 20 @ 20:00
Jul
8
Fri
The Five Elements – Salzburg AT @ Mozarteum - Grosses Studio
Jul 8 @ 20:00
Jul
9
Sat
Foot-Hand-Stave Workshops – Salzburg AT @ 9th International Orff-Schulwerk Symposium
Jul 9 @ 11:36 – 12:36

AP-WS8The centerpiece of this workshop is an object that has been reduced to the basics, a six foot high spruce stave. The freedom which is achieved by this reduction permits the creation of dynamic patterns of movement, play and rhythm based on simple structures. The stave becomes a chiming bar and in combination with stamping and voice, a creative element within movement and space, a trigger for scenic images and mental associations. By itself or used within a group choreography, it playfully translates the body into vibration and awakens the senses to an impartial experience of music and movement.

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